| RobertKlingelhoeferScenicDesign |
Conceived more as a tone-poem on life, the seasons, change
and growing up than a cute story about a guy in a pig suit, this
production involved location-shot video as well as live video
projection.
The actors manipulated a tiny video camera as well as models
of the barn and the Ferris Wheel at the State Fair and other props
to provide an evocative, often bittersweet, background to the story.
The large picture, left, for instance, shows the actor who plays the
sheep, sifting flour “snow” on the model barn and toy truck, as the
live video of his actions are projected on the scrim behind which
are the actors in this winter scene.
Most scenes involved this kind of multiple-view approach where
the audience saw the scene taking place, and the manipulation
of the elements that was creating its visual component.
and growing up than a cute story about a guy in a pig suit, this
production involved location-shot video as well as live video
projection.
The actors manipulated a tiny video camera as well as models
of the barn and the Ferris Wheel at the State Fair and other props
to provide an evocative, often bittersweet, background to the story.
The large picture, left, for instance, shows the actor who plays the
sheep, sifting flour “snow” on the model barn and toy truck, as the
live video of his actions are projected on the scrim behind which
are the actors in this winter scene.
Most scenes involved this kind of multiple-view approach where
the audience saw the scene taking place, and the manipulation
of the elements that was creating its visual component.
Charlotte's Web - Directed by Eric Johnson - Lights by Mike Wyant - Costumes by Beth Dunkleberger - Video by Adam Larsen - Fulton Theatre - 2005
